CARDINAL
[When the shadows clear, your team stands unharmed in a fancy bedroom. There are sharp knives, similar to the ones in the ghost you just saw, scattered throughout the room. They are stuck fast in the walls, the ground, the bedposts, no amount of force can pull them free. The sheets of the bed are soaked in blood.
Over on the dressing table sits a jack-o-lantern that lights itself once you look at it, smoke rising from the flame into the shapes of people, acting out the scene of a memory in the room.
A young woman is getting ready for the ball, dressed in her very finest silks with her hair being styled neatly in place. The little girl doing her hair, perhaps ten years old, fumbles her fingers. She tugs on the hair slightly, dislodging some clips, and the woman starts screaming at her. ‘Clumsy little oaf!’. The girl is kicked out of the room, the young woman insisting on doing it herself and muttering about useless staff. After a moment of this there’s a flash of light that streaks toward the bed. The woman jumps up, startled, and investigates what happened. There is a knife stuck in the bedpost. Several more flashes of light appear behind her and she turns, horrified, to see them all aimed at her. She tries to scream, and the smoke disappears abruptly as all the knives come hurtling towards her.]
Light the lanterns.
Over on the dressing table sits a jack-o-lantern that lights itself once you look at it, smoke rising from the flame into the shapes of people, acting out the scene of a memory in the room.
A young woman is getting ready for the ball, dressed in her very finest silks with her hair being styled neatly in place. The little girl doing her hair, perhaps ten years old, fumbles her fingers. She tugs on the hair slightly, dislodging some clips, and the woman starts screaming at her. ‘Clumsy little oaf!’. The girl is kicked out of the room, the young woman insisting on doing it herself and muttering about useless staff. After a moment of this there’s a flash of light that streaks toward the bed. The woman jumps up, startled, and investigates what happened. There is a knife stuck in the bedpost. Several more flashes of light appear behind her and she turns, horrified, to see them all aimed at her. She tries to scream, and the smoke disappears abruptly as all the knives come hurtling towards her.]
Light the lanterns.
RULES
It’s possible for your character to skip a room without facing the monster out the door they came, but that means you won’t get the memory and the victim will be mad at you. You only get ONE SKIP, if you try a second time she will attack.]
START
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[...Well, I'm doomed. Let's just go ahead and pocket my eyepatch. If I'm going into this it's going to be with both eyes open. Meanwhile, let's go ahead and try the glass-flowers-door. At least if I'm going to get murdered I'm going to get a bouquet out of it.]
ROOM ONE
But something is wrong. You know something is wrong, this calm is a lie. What if everything is a lie? You don’t trust anything in here. You don’t trust anything at all.]
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It's peaceful, birds are singing and there's this pumpkin on a bench.
And I'm like maaaaan, what do I look like, a sucker?
I took it.
AND THREW IT ON THE GROUND!!!!!
I'm not gonna' be part of your system!
I'M AN ADULLLLT!
Don't put a pumpkin out unless you want it broke!
Maaaan!]
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ROOM TWO
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The murdered woman scoffs, ‘What’s the big deal about food? You eat too much anyhow, watch out or you won’t fit in your own gowns.’ She stands and walks away, laughing to herself and leaving her daughter fuming. ‘You’re the one who needs to watch out, mother. A queen like you makes so many enemies.’
The woman stops, looking back over her shoulder and smirking at her child. ‘Threats, darling?’
‘A warning. Don’t make the mess I’ll have to clean up when I’m queen any bigger.’]
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[Okay then. Bomb out, let's head for the exit. What's the extent of the scales?]
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ROOM THREE
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SKILL LOOOOOOOOOOOSS!!
I guess we're doing this the long, hard way. By searching through the books.]
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This one is about court politics and working the system to your favour!
This book is about BONDAGE. Specifically the chapter on chains.]
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[I'm going to start with the last one.]
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TURN-IN
Who killed me?
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Sorry man.
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